My interest in Conn organs began when I started to play theatre organ arrangements. I first started with the Theatrette 580 because I was thmillular with one I sold second hand in the late 70's. But running out of keys was a real problem so eventually a white and gold 652 came up for sale not far away from me with a full set of pipes so I snapped it up. I have a second one for spare parts as this organ dose have some LSI's in it. When a 651 came up I bought it too and it waits to be restored. I still have the 580, it in the hanger section hooked to two Leslies....

Select a Conn organ below to view

Conn organ 580 1972

Conn organ 651 1973

Conn organ 652 1978

     

Conn Organ History

Charles G. Conn, a noted Indiana figure and politician, founded C. G. Conn, Ltd. in 1875 in Elkhart. Indiana. The company became famous for their quality line of fine band instruments. They manufactured their first electronic organ, the 2-D Conn sonata, in 1947. Their first commercially successful organ was produced in 1951. In 1955, the Artist model was introduced as the Model 700. This instrument had two 61-note manuals and 25 pedals. The manual stops were all at 8 pitch and produced octave and mutation pitches through a plentiful supply of couplers. This made the Model 700 somewhat a harmonic synthesis organ. There were separate tremolo oscillators for each manual, and they both ran at different speeds. This was the organ that Ken Griffin used on some of his last recordings.

Conn used an independent tone generator for each note and employed special keying circuits to slow down slightly the attack of the notes, imitating the lag of a pipe organ. This intentional slow attack and bold voicing of the Conn organ produced an instrument that bore an uncanny resemblance to a pipe organ for purchasers in the mainstream commercial market. The Conn organ was famous for its string tone: if you closed your eyes, you'd think a real violin was playing. As the years progressed, so did Conn, and many features that the home organist wanted were also included, such as Chimes, Piano, Sustain. Repeat Percussion and much more. There were also exclusive features unique to Conn, such as Stereo Expression Pedal, Phantom Bass and Calliope Tuning. They even had sets of electronic pipes, which were actually speakers that could be attached to any model.

Conn was a popular and formidable competitor in the electronic organ market. They produced organs of every size for every need from the small spinets Caprice and Minuet, to the mammoth Model 651 3-manual theatre organ pictured on this page, and every step in between. There were home and theatre spinets (the Theatrette (one version was a 3-manual spinet!), home and theatre consoles, church and theatre concert models (Classic (800 series), 650, 651, 652, 653). The 650 series were all 3-manual theatre organs. They also made 3-manual church organs and custom-built organs.

In the late 1960s. Macmillan & Co., a publisher of textbooks for school use, purchased the Conn Organ Company. This transaction did not include the rest of the Conn operation, which continues to operate today continuing the great tradition of Conn band instruments. In 1979 Conn was one of the first big organ companies to go out of business, but it was taken over shortly thereafter by the Kimball Piano & Organ Company, and soon the whole organ operation of Kimball and Conn passed into oblivion.

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